Rising Against Homelessness

We recently recorded a track for the album ‘Rising Against Homelessness’ a new album to Fight Homelessness, It includes covers of classics like ‘The Foggy Dew’, ‘The Auld Triangle’, and our take on ‘The Night Visiting Song’, Glen Hansard, Sinead O’Connor, Mundy , The Chieftains, The Waterboys, Camille O’Sullivan and many more have contributed tracks.The initiative has thus far raised €35,000, and aims to raise €1 million. It has just been released and you pick up a CD in record shops and Starbucks outlets around Ireland for just €10 or if you want your music in digital form, you can also find it on iTunes.

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Exposed Vocals Interviews August Wells

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“With their critically acclaimed debut album ‘A Living & A Dying Game’ and a string of fine singles already under their belts 2016 is shaping to be another busy year for August Wells. April will see the bands sumptuous single ‘Here in the Wild’ get its official UK release. A thoughtful, piano and string-drenched track that bears the wistful hallmarks of songwriters whose place in a weary world is tempered by the acceptance of some of its fateful twists”…

Read it here – exposedvocals.com

FM PRESENTS: AUGUST WELLS

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Exciting new musical project August Wells – Dublin’s Ken Griffin (ex-Rollerskate Skinny, Favourite Sons) and New York pianist John Rauchenberger – share new single ‘Here in the Wild’, out in the UK on April 22nd via FIFA Records.

The solidly luscious tune, gets our full attention from the start, graced by Griffin’s poetic, timelessly emotive and stirring voice.

See full article here

http://www.famemagazine.co.uk

Interview with Barry Egan of The Sunday Independent

IMG_1776 2Here’s an interview we did with Barry Egan of The Sunday Independent to go along with the Windmill Lane Session we recently had the pleasure of recording.

http://www.independent.ie

In a 2014 interview with Drowned In Sound entitled ‘The Undiscovered Genius of Kenneth Griffin’, the great man himself said: “I think ‘overlooked’ will probably be on my gravestone.”

The semi-legendary former front-man of Rollerskate Skinny lives in New York but is back home in Dublin to promote his band (with John Rauchenberger) August Wells’ new album Madness Is the Mercy (and to play The Windmill Lane Sessions on Independent.ie )

“I always felt like I am looking at life through a window, even when I am walking down the street. There is a kind of terrifying amusement I find in everyday things that people do. I find it fascinating to sit in a diner and watch fifty people eat. It becomes almost pornographic to watch them stuffing things into their faces. I am very interested that people seem to stare to about two feet from their faces. I think ‘otherness’ begins about two feet from their faces. They all seem to be staring at this invisible thing. I was writing a song recently about the dark acceptance, you know, some kind of acceptance that people are in…”

 

Read and see the entire interview and live tracks we played in the studio here: http://www.independent.ie

No Depression Magazine review

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BY CARA GIBNEY
FEBRUARY 1, 2016

“I know a boy who/Stays in his bed/Says he’d much rather/The life in his head” were the first lines of “Come Away From The Silence”, off the upcoming album by August Wells. It was breaking through the chat in a Waterford pub on a dull winter night, and had that  very specific August Wells’ feel to it – honed from the crooned baritone of Ken Griffin’s charmed well of a voice, and the understated keyboard foundation of John Rauchenberger. This live version also carried a vague Irish air to it, a swaying stroke of Griffin’s guitar that buoyed it off-stage.

read the entire review here:

http://nodepression.com/

Superb August Wells to showcase their songwriting skills

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The superb August Wells make a welcome return to Galway with a free show in Róisín Dubh next Thursday, January 28. The project is the brainchild of Ken Griffin and John Rauchenberger, both based in New York.

Griffin is a former member of Irish indie legends Rollerskate Skinny, whose 1996 single Speed To My Side remains a classic.

An August Wells record, will feature a saxophone player, a violinist and a French horn player. But the core of the band is the partnership between Ken and John Rauchenberger, whose style has been described as ‘Sinatra singing Lou Reed songs’. How did the pair meet?

“I met him through a circle of friends,” Ken says. “We were all walking home and he wanted us to show us his house. There was a piano there – I’d known him for two years and didn’t even know he could play!

“He sat down and started playing for a minute, and I thought ‘that’s interesting. Those weren’t very predictable notes’. So I suggested ‘why don’t we just get together and play?’ He lives a hundred yards from me!”

The collaboration has resulted in some fine songs that have a melancholic, Nick Cave feel to them.  August Wells recently opened for Glen Hansard for some of his tour dates, and their work will appeal to anyone interested in the craft of songwriting. Unmissable. Doors for their show are at 9pm.

read more: http://connachttribune.ie

Festival and Gig Guide review

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festivalandgigguide.ie

2016 breezes in with a chorus of brass, strings and shuffling guitar as the first bars of August Wells’ ‘A Little Too Real’ permeate the January air. Ken Griffin’s baritone returns with the New Yorkers first release of the new year and a taster of their new album ‘Madness Is the Mercy’ due out later this Spring on FIFA Records.

‘A Little Too Real’ is a sensitive ode to those who feel the world can be a daunting place. August Wells emotive first singles ‘Here in the Wild’ and ‘Come on in out of that night’ set the tone and tempo for a band writing and exploring music that rolls in like dusk; warm yet tragic, inclusive while conveying the outsider.

August Wells finished on a high note, supporting Glen Hansard at a sold out show at New York’s Beacon Theatre, before they return to Ireland and Europe at the end of January for a number of dates. Ken Griffin (ex-Rollerskate Skinny, Favourite Sons) and pianist John Rauchenberger have met in the middle of differing musical pasts to form a band who would sit easily at the same table as Scott Walker or John Cale.

‘A Little Too Real’ eases us into a new year full of promise for August Wells and is a tantalising hook for their imminent long player.