BY CARA GIBNEY
FEBRUARY 1, 2016
“I know a boy who/Stays in his bed/Says he’d much rather/The life in his head” were the first lines of “Come Away From The Silence”, off the upcoming album by August Wells. It was breaking through the chat in a Waterford pub on a dull winter night, and had that very specific August Wells’ feel to it – honed from the crooned baritone of Ken Griffin’s charmed well of a voice, and the understated keyboard foundation of John Rauchenberger. This live version also carried a vague Irish air to it, a swaying stroke of Griffin’s guitar that buoyed it off-stage.
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